This year, Digga D dropped the highly-anticipated mixtape Made In The Pyrex. The mixtape features M1llionz, and fellow Ladbroke Grove rapper AJ Tracey on lead single 'Bringing It Back', alongside viral hits ‘Woi’ and 'Bluuwuu'.
On ‘Bluuwuu’, Digga spits, “Numerous shootings, the mandem do this, trust me, it's more than music, Why you think I'm not liked in the industry? Cah I'm in the streets with the shooters.”
For millions of fans, his music mirrors the struggles they face in surviving their conditions. His critics claim he is responsible for encouraging violence.
“Drill is just a genre like rap, R&B or rock and roll. It’s just a genre. It’s an emotion. I reckon that like all different types of genres is emotions. There’s rap music that can put you in a type of mood. R&B can put you in a sort of mood. And drill music can put you in a certain type of mood. It’s just a type of emotion, innit?”
When asked what emotion Drill music represents? “Partying,” quips Digga. “Soon as I was born. I was raised listening to dancehall music like Vybz Kartel. So I’ve always loved it.”
Growing up, Digga’s roots were in the popular Jamaican genre of Dancehall. But in his youth, artists like 50 Cent garnered his attention. On Made In The Pyrex, Digga pays homage to the G-Unit classic ‘My Buddy’ with his own take; ‘My Brucky’.
On the track, Digga enforced his pace as Drill music’s—lyrical predator, “Didn't see when I was runnin' up, Let off two, so pissed I didn't blood him up...I could turn your life to a timer, let the shit ding when the pin hits the primer.”
For Digga, his approach is intuitive and off the cuff. “I don’t have no writing process. I write whatever, whenever. Literally, I do everything. Maybe, I’ll listen to the beat first. Or maybe, I’ll just start writing and then add a beat.”
Bennet Kleinberg and Paul McFarlane have examined the dynamic use of sentiment in drill music. In the groundbreaking study, the academics from University College London, provide the first empirical insights into the language employed by drill rappers and conclude that lyrics with a positive tone attract more views and engagement on YouTube than negative ones. Thereby dispelling the causal link of escalating violence with the popularity of a genre.
“I don’t really plan anything. I just go with the flow. I feel like if there’s a different genre I want to do, I’ll just do it,” explains Digga. “If I woke up one day and wanna do R&B, but I have a lot of Drill fans, I’ll just do R&B because I feel like doing it. I feel like a lot of my fans have tapped in because I just do anything. They don’t know what to expect.”
When asked about his favourite verse on the mixtape, Digga quietly responds, “Trust Issues at the end of it. The last song on the tape. Because it’s more deeper than like something emotional.”
On the verse, Digga raps “If I shoot that yute, then boot, everyone gon' call me the bad guy, I got PTSD from when I got chinged, yo, look at my bad eye, Yuh nuh see how it lazy, we mek him slide and three weeks later the man come back and him snake me, darg, You eva hear bout a ting named Karma?”
On “Chingy”, Digga evokes the tension of violence in prison. “I told little Stizzy to go be the lookout, Cah I ain't tryna lose this telly, Ask Unknown T, my celly, If I had my man lookin' like Nelly, I chinged my man on house block four, Turn that wing to a Hotspur.”
As guarded as Digga is about his life and time in prison, the tussle between the lives we lead and our setting, ricochets like a motif in his bars throughout the mixtape. As authorities and politicians parry responsibility, Digga’s bars give a voice to the communities that are trapped.
“What did I learn from prison? It helped me carve more time to write my lyrics. Without rushing.” I asked if being locked-up taught him about patience? “Yeah. A lot about patience.”